The Pink Floyd inflatable pig floats next to Broadcasting House to promote their new exhibition at the V&A museum, in London, Britain May 10, 2017. (Photo by Neil Hall/Reuters)

Japan's Naomi Osaka sits with her towel over her head during a break in her third round loss to Coco Gauff of the U.S. at the Australian Open tennis championship in Melbourne, Australia, Friday, January 24, 2020. (Photo by Lee Jin-man/AP Photo)

Australian professional boxer Ebanie Bridges at the weigh-in ahead of their IBF World Bantamweight Title fight against Shannon O'Connell during the weigh in at Aspire, Leeds, United Kingdom on Friday, December 9, 2022. (Photo by Andrew Couldridge/Action Images via Reuters)

A woman poses for a picture during Lunar New Year's Eve on Yaowarat Road in Bangkok's Chinatown, Thailand, February 9, 2024. (Photo by Jorge Silva/Reuters)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)