Nine years ago, Tom Carter traveled from San Francisco to China, responding to a job posting that turned out to be a scam. He managed to find another job as a teacher, and saved enough money to embark on a 56,000 km trip through all of China's 33 provinces that lasted two years. Carrying a camera – just a a 4-megapixel point-and-shoot – Carter captured some amazing images of the widely varying landscape, people, and architecture across the nation. Photo: Buddhist pilgrim family from Sichuan. (Photo by Tom Carter via The Atlantic)

Inspired by high school architecture class where he was assigned to create simple paper models using cut paper manilla folders, San Francisco-based designer Luca Iaconi-Stewart went home to begin construction on an extremely ambitious project: a 1:60 scale reproduction of a Boeing 777 using some of the techniques he learned in class. That was in 2008, when Iaconi-Stewart was just a junior in high school.

A visitor looks at a Morris Mini-Minor Car on display at the Victoria and Albert museums' new major exhibition, “British Design 1948-2012: Innovation In The Modern Age” on March 28, 2012 in London, England. This car, which was designed by Alec Issigonis, was the first one off the production line. The exhibition showcases some of the most iconic product design, fashion, furniture, graphics, architecture and fine art from the last 60 years, and opens to the public from March 31, 2012. (Photo by Dan Kitwood/Getty Images)

A woman walks past a painting by Jenny Saville entitled “Red Stare Head IV” on display in the Royal Academy of Arts' Summer Exhibition on June 2, 2011 in London, England. The Summer Exhibition is the world's largest open submission contemporary art show, now in its 243rd year, with over 12,000 entries received from 27 countries. The exhibition features over 1100 works of art including: painting, sculpture, photography, architecture and film, it officially opens to the public on June 7, 2011. (Photo by Oli Scarff/Getty Images)

Stuart Haygarth hangs his spectacle chandelier at The Lighthouse, Scotland's national Architecture Design Centre on November 29, 2007 in Glasgow, Scotland. The 7ft chandelier is made of over 1000 pairs of glasses, and is one of a range of products the designer has made out of recycled products. (Photo by Jeff J Mitchell/Getty Images)

Prada Marfa is a permanently installed sculpture by artists Elmgreen and Dragset, situated 1.4 miles (2.3 km) northwest of Valentine, Texas, just off U.S. Highway 90 (US 90), and about 26 miles (42 km) northwest of the city of Marfa. The installation was inaugurated on October 1, 2005. The artists called the work a "pop architectural land art project."

Cecilia Paredes was born in Lima, Peru, and lives and works in San Jose and Philadelphia, United States. Her recent photographic work is a conspicuous exploration of sensual surfaces in which the body is deliberately confused with nature and nature with the body.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.