For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

A dramatic rise in owning exotic pets in China is fuelling global demand for threatened species. The growing trade in alligators, snakes, monkeys, crocodiles and spiders is directly linked to species loss in some of the world’s most threatened ecosystems. Here: A fennec fox (Vulpes zerda) is groomed in a pet store in central Beijing. Native to the Sahara in North Africa, the species became a popular pet after being depicted as a character in Disney’s 2016 animated movie Zootopia. Individuals can cost between $2,000–$3,000. (Photo by Sean Gallagher/The Guardian)

“The Tibetan Mastiff also known as Do-khyi (variously translated as “home guard”, “door guard”, “dog which may be tied”, “dog which may be kept”), reflects its use as a guardian of herds, flocks, tents, villages, monasteries, and palaces, much as the old English ban-dog (also meaning tied dog) was a dog tied outside the home as a guardian. However, in nomad camps and in villages, the Do-khyi is traditionally allowed to run loose at night and woe be unto the stranger who walks abroad after dark”. – Wikipedia

Photo: A man displays a Tibetan Mastiff he raised during the Tibetan Mastiff exposition on April 7, 2007 in Langfang of Hebei Province, China. (Photo by China Photos/Getty Images)

Elaborately dressed monks costumed as wrathful guardian spirits perform ceremonial dances during the Tenchi Festival on May 25, 2014 in Lo Manthang, Nepal. The Tenchi Festival takes place annually in Lo Manthang, the capital of Upper Mustang and the former Tibetan Kingdom of Lo. Each spring, monks perform ceremonies, rites, and dances during the Tenchi Festival to dispel evils and demons from the former kingdom. (Photo by Taylor Weidman/Getty Images)

Young women wearing facemasks and traditional costumes of Song dynasty and Tang dynasty are seated on a bench in a park next to the East Lake in Wuhan, in China’s central Hubei province on May 17, 2020. The Guardian picture desk has chosen on December 17, 2020, the AFP photojournalist Hector Retamal as “Agency Photographer of the Year 2020” for his coverage of the novel coronavirus Covid-19 pandemic in Wuhan, China. (Photo by Hector Retamal/AFP Photo)

Aina the mother sheep, a 4.5-metre musical sculpture installed in the first decade of July 2023 outside Huddersfield railway station in England as part of Artichoke’s latest project, Herd. She is one of 23 giant handcrafted musical sheep that will appear all over Kirklees this week before joining Aina for a grand finale in Huddersfield on 16 July. (Photo by Christopher Thomond/The Guardian)