Vivid colors and bizarre shapes come together in a false-color image that could be an illustration for a fantasy story. This labyrinth of exotic features winds its way along the edge of Russia’s Chaunskaya Bay in northeastern Siberia, seen as a vivid blue half-circle at the bottom of the image Two major rivers, the Chaun and Palyavaam, flow into the bay, which in turn opens into the Arctic Ocean. Ribbon lakes and bogs are present throughout the area, created by depressions left by receding glaciers. (Photo by USGS/NASA)

“Douglas Fisher has worked in the photographic industry for more than 25 years, starting out at 19 as an assistant before establishing his own studio, just two years later. Here, Douglas would go on to be among the first to champion the emerging worlds of digital photography and CGI, identifying early the transformative impact they would bring to advertising and high end photography”. – Tim Mitchell

Photo: «Carlsberg Launch». (Photo by Douglas Fisher)

The personal project of Michael Turner features a whole range of different DC and Marvel characters. Each of the posters in this project is created using only two colors, which immediately remind us of the character that is being shown. Despite the minimalistic style, the characters can be instantly recognized by their key features. These pictures might look good as posters; however, in our opinion they would look even better as T-shirt designs. Any fan of DC and Marvel comics would simply love having a T-shirt with their favorite character depicted on it. (Photo by Michael Turner)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

“Sony Bravia has been a bench mark in quality advertising for years now and I’m very happy to have been chosen by McCann Worldwide to shoot this campaign for them.
We flew to a volcano in Costa Rica where it took the inhabitants of an entire village a full week to pluck all the flower petals…. enough to fill two huge lorries!
With the help of a special effects team, the petals were blown and exploded through our landscapes creating hugely detailed vista which echoes the extreme detail of Sony’s new 4k tv.”