“The Personal Urban Mobility and Accessibility (PUMA) is an experimental electrically powered road vehicle created by Segway and adopted by General Motors as a concept vehicle representing the future of urban transportation. It operates on two wheels placed side-by-side, a layout that differs in placement from motorcycles which instead have their two wheels placed at the front and rear”. – Wikipedia

The Project P.U.M.A. (Personal Urban Mobility and Accessibility) prototype is displayed for the media April 7, 2009 in New York City. (Photo by Mario Tama/Getty Images)

“Life-size humanoid robot BERTI (Bristol EluMotion Robotic Torso number 1 or RT-1) is a self contained, fully automated Robotic Torso, designed and built by Elumotion to provide a robotic platform based on human anatomy. RT-1 is a highly articulated manipulating platform and includes novel dexterous hands that allow emulation of human gesturing”. – Elumotion.com

Photo: BERTI the robot interacts with a Sony AIBO robot dog at The Science Museum's Antenna Gallery on February 17, 2009 in London. (Photo by Peter Macdiarmid/Getty Images)

A sculpture is pictured at “Dismaland”, a theme park-styled art installation by British artist Banksy, at Weston-Super-Mare in southwest England, Britain, August 20, 2015. The show is Bansky's first in the UK since the Banksy v Bristol Museum show in 2009 and will be open for 5 weeks at the Topicana site. (Photo by Toby Melville/Reuters)

Kieron Williamson (born 4 August 2002) is a watercolour artist from Holt, Norfolk in England. His paintings and ability by the age of six have caused considerable interest in the UK media and are notable for his advanced use of perspective and shading. He has been described as a prodigy, and at his second exhibition in 2009, his paintings sold out in 14 minutes, raising a total of £18,200 for 16 paintings. A subsequent exhibition in Holt in July 2010 saw his paintings all sold within 30 minutes, at a total value of £150,000

Boys pan for gold on a riverside at Iga Barriere, 25 km (15 miles) from Bunia, in the resource-rich Ituri region of eastern Congo February 16, 2009. Ituri is one of many areas of the country to have experienced bitter ethnic conflict between rival tribes in recent years. Massacres have left tens of thousands dead. It is this fighting that led U.S. authorities to take the unprecedented step of naming Congo in section 1502 of the Dodd-Frank financial regulation act, which says U.S.-listed companies that source gold, tungsten, tantalum and tin from Congo or its neighbours must assure the U.S. stock exchange regulator that their business is not helping fund conflict. (Photo by Finbarr O'Reilly/Reuters)

A chimpanzee looks in the direction of a camera at the Gut Aiderbichl Sanctuary for Traumatized Chimpanzees and other Primates in Gaenserndorf, near Vienna, 17 September 2018. 34 former laboratory chimpanzees of former Austrian pharmaceutical company Immuno AG spend their lives at the Gut Aiderbichl Sanctuary for Traumatized Chimpanzees and other Primates since 2009. (Photo by Christian Bruna/EPA/EFE)

Pooh, a one-year-old cat, who lost his hind legs in an accident and has been given bionic paws, walks in a vet clinic in Sofia on January 31, 2017. Pooh, who is thought to have lost his legs in a car or train accident last April, is back on the prowl thanks to Bulgarian veterinary surgeon Vladislav Zlatinov. He is the first vet in Europe to successfully apply the pioneering method of Irish neuro-orthopaedic surgeon Noel Fitzpatrick, who shot to fame in 2009 when making Oscar the first bionic cat by fitting him with new hind legs in Britain. (Photo by Nikolay Doychinov/AFP Photo)

“24.27 N, 81.44 W. These coordinates mark the spot of the final resting place of an old brave soldier, the USS General Hoyt S. Vandenberg. In 2009 it underwent a complete change when the creaky steel monster became a mystical bearer of secrets. In May of that year, the Vandenberg was lowered down into the darkness of the ocean off the coast of Florida to become an artificial reef, where it would dwell in rigor mortis at a depth of 130 feet. This lively, animate, secretive nothingness, this menacing, wild emptiness would haunt and seduce the renowned Austrian photographer and passionate diver Andreas Franke...”. – The Sinking World (Photo by Andreas Franke)