A woman spits red paint as if it is blood protesting against bullfights in Madrid, Spain on March 27, 2016. Anti-bullfighting protesters have turn the iconic square of “Puerta del Sol” into a bullring. Protesters, almost naked covered with red paint as if it was blood, have demanded the abolition of bullfights under the slogan “The bull suffers!”. (Photo by Marcos del Mazo/Pacific Press)

Brazilian tattoo artist Michel Praddo, also known as Diabao or Human Satan, and his wife Carol Praddo, known as Mulher Demonia or Demon Woman, take a picture with a fan at the beach shore in Praia Grande, Brazil on August 18, 2021. (Photo by Carla Carniel/Reuters)

A woman covers her face as men throw colored powder at her during “Lathmar Holi” at the village of Barsana in the northern Indian state of Uttar Pradesh March 9, 2014. (Photo by Anindito Mukherjee/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A local wears a plastic water bottle with a cutout to cover her face, as she walks on a footbridge in Hong Kong on January 31, 2020, as a preventative measure following a virus outbreak which began in the Chinese city of Wuhan. The World Health Organization, which initially downplayed the severity of a disease that has now killed 170 nationwide, warned all governments to be “on alert” as it weighed whether to declare a global health emergency. (Photo by Anthony Wallace/AFP Photo)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

Police officers control the crowd (rear) while surrounding a man (front C) suspected to be involved in opening fire on a beachside hotel in Sousse, Tunisia, as a woman reacts (R), June 26, 2015. At least 27 people, including foreign tourists, were killed when at least one gunman opened fire on a Tunisian beachside hotel in the popular resort of Sousse on Friday, an interior ministry spokesman said. Police were still clearing the area around the Imperial Marhaba hotel and the body of one gunman lay at the scene with a Kalashnikov assault rifle after he was shot in an exchange of gunfire, a security source at the scene said. (Photo by Amine Ben Aziza/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.