He has been a graphic designer, 3d artist, photo-retoucher as well as illustrator. One thing is for sure, Brian Despain makes one amazing fine artist. This piece started as a post-it note and then ended up this dynamic piece after much work, apparently he thought it looked too much like Plankton from Spongebob Squarepants. Brian is currently in a group show at Roq La Rue in Seattle. The print is signed and numbered in an edition of 30. There are two other prints available as well just in case you another one of them hits you better.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

Slick Glamour – Capturing a slicked up Herieth Paul and Jeneil Williams, photographer Daniel Sannwald (Management Artists) offers this high gloss vision for an Yves Saint Laurent feature published in Pop’s fall-winter edition. Styled in lingerie looks by fashion editor Tamara Rothstein, the beauties wow in jewel toned eyeshadow courtesy of makeup artist Frankie Boyd and wavy coifs by hair stylist Laurent Philippon. (Photo by Daniel Sannwald)

Clay Lipsky has created a great series called Atomic Overlook. The project takes terribly boring scenic shots and combines them with some exciting nuclear testing. “Tourists will line up for anything and I always found humor in vacation destinations that are nothing but a bunch of people looking into a great abyss”, he says. “I understand the allure of a beautiful landscape, but as the world’s population grows so do the lines to view the “nothingness”. Atomic Overlook flips the script on that and gives new purpose to those suntanned masses”. (Photo by Clay Lipsky)

A young boy rests by empty USAID vegetable oil tins in the Dagahaley refugee camp which makes up part of the giant Dadaab refugee settlement on July 19, 2011 in Dadaab, Kenya. The refugee camp at Dadaab, located close to the Kenyan border with Somalia, was originally designed in the early 1990s to accommodate 90,000 people but the UN estimates over 4 times as many reside there. The ongoing civil war in Somalia and the worst drought to affect the Horn of Africa in six decades has resulted in an estimated 12 million people whose lives are threatened. (Photo by Oli Scarff/Getty Images)