Afghan girls ride a donkey along a street in Argo district at Badakhshan province on July 30, 2024. (Photo by Omer Abrar/AFP Photo)

Members of the Hitler Youth who are trained to report airstrikes repaining their bicycles. Published by: “Die Sirene”. 1942. (Photo by Herbert Hoffmann/Ullstein Bild via Getty Images)

A member of the Grupa Magnifica acrobatics club poses for a photo on the Baltic Sea beach during sunset in the town of Leba, Pomeranian region, on August 6, 2024. (Photo by Sergei Gapon/AFP Photo)

Swans from the state Ballet of Georgia production of Swan Lake arrive in London on August 27, 2024 ahead of opening night at London Coliseum venue on 28th August. (Photo by Guy Corbishley/Alamy Live News)

A Firefighter walks in a evacuated home in flames at El Cariso Village as the Airport Fire burns on September 10, 2024 in Lake Elsinore, California. The fast-moving Airport Fire that started on September 9 in Orange County grew up to more than 10,000 acres by this afternoon, fire officials said. (Photo by Apu Gomes/Getty Images)

Swimmers in the Sky Pool, a transparent swimming pool suspended 35 meters above ground between two apartment buildings, during hot weather in Nine Elms, central London on Monday, August 12, 2024. (Photo by James Manning/PA Images via Getty Images)

Richard Silver's photographs show us the world's biggest sights like Machu Picchu in Peru or Copacabana in Brazil. His photos, however, are not simply depictions of the landmarks but planned, artistic visual constructions that, with their playful combinations of sharpness and blur, create new worlds of experience. Photo: Coliseum, Rome. (Photo by Richard Silver)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)