Chinese artist Kong Ning poses in a costume symbolizing a butterfly, which is decorated with 365 masks on its wings to represent the number of days in a year, during her performance art at the Badaling section of the Great Wall on the outskirts of Beijing January 1, 2015. Kong, whose works include themes related to China's air pollution problem, named her new performance art “Hua Die” (transforming into a butterfly) and performed it on the first day of the new year as she hopes that China has clean air for this year. (Photo by Kim Kyung-Hoon/Reuters)

The President of the sushi restaurant chain Sushi Zanmai, Kiyoshi Kimura, cuts a blue fin tuna outside his main restaurant at the outer Tsukiji market in Tokyo January 5, 2015. The 180 kg blue fin tuna traded at a price of 4.5 million yen (37,500 USD) and was the most expensive fish at this year's New Year auction at the Tsukiji market, local media reported. (Photo by Thomas Peter/Reuters)

A woman buys bread at a bakery in Cairo, January 8, 2015. The successful roll-out so far of a new “smart card” system to distribute subsidised bread has been a major achievement for Egypt's government, saving money while earning praise from families who no longer have to wake early to fight for loaves. (Photo by Mohamed Abd El Ghany/Reuters)

Al-Shamiyah Front fighters inspect a new locally-made cannon named “Borkan” (Volcano) as it was being launched towards forces loyal to Syria's president Bashar Al-Assad located in Aleppo artillery school, March 7, 2015. The “Borkan” is made out of four tubes attached to a loader, which can fire four shells at a time, and have a range of three kilometers (1.86 miles). (Photo by Abdalrhman Ismail/Reuters)

In this photo taken Thursday, August 13, 2015, a man walks past the charred remains of new cars at a parking lot near the site of an explosion at a warehouse in northeastern China's Tianjin municipality. Rescuers have pulled a survivor from an industrial zone about 32 hours after it was devastated by huge blasts in China's Tianjin port. Meanwhile, authorities are moving gingerly forward in dealing with a fire still smoldering amid potentially dangerous chemicals. (Photo by Ng Han Guan/AP Photo)

Young girls take ballet lessons at the New Dreams dance studio in the Luz neighborhood known to locals as Cracolandia (Crackland) in Sao Paulo, Brazil, August 14, 2015. For the young girls learning to jump and plie, the dance studio provides a way forward and out of the difficult environment they have grown up in. Brazil is one of the world's highest consuming countries of crack cocaine, and Cracolandia, or “Crack Land”, located in the outskirts of Sao Paulo, is one of the most intense and brutal hubs. (Photo by Nacho Doce/Reuters)

In this photo taken on July 19, 2014, a man looks at an excavation as an A.R.M.H., Association for the Recovery of Historical Memory, volunteer digs on the search for the body of Perfecto de Dios, in a hidden grave in Chaherrero, Spain. Across Spain, volunteer teams of archeologists, anthropologists and forensic scientists head out every year on expeditions to dig for suspected mass graves – a legacy of Spain's fascist past during the time of General Francisco Franco. (Photo by Daniel Ochoa de Olza/AP Photo)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)