Pfc. Sebastian Rodriguez, machine gunner, Weapons Platoon, Lima Company, 3rd Battalion, 3rd Marine Regiment, Marine Rotational Force – Darwin, fires an M240 machine gun during a night squad-attack exercise, here, May 22, 2013. (Photo by Sgt. Sarah Fiocco/U.S. Marines)

October 25, 2009; London,UK; The mascot for the Tampa Bay Buccaneers watches a cheerleader during the NFL International Series game against the New England Patriots at Wembley Stadium. (Photo by David Wilkinson/Offside Sports)

In this Wednesday, August 20, 2014 photo released by Red Bull, Maikel Melero of Spain warms up prior to the fifth stage of the Red Bull X-Fighters World Tour in the South African savanna of Pretoria, South Africa. (Photo by Joerg Mitter/AP Photo/Red Bull)

A dancer poses for a photograph as part of the “Dance as Art” photo project in Times Square in New York, on September 22, 2014. (Photo by Carlo Allegri/Reuters)

A protestor makes a selfie in front of a burning car during a national trade union demonstration in Brussels, Thursday November 6, 2014. Tens of thousands of demonstrators are converging on the Belgian capital to protest government policies that will extend the pension age, contain wages and cut into public services. (Photo by Geert Vanden Wijngaert/AP Photo)

Untitled. (Photo by Artem Nadyozhin)


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Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)