A brick factory workers stack bricks on carts in Dhaka, Bangladesh, January 9, 2019. (Photo by Mohammad Ponir Hossain/Reuters)

Buddhist monk Wilatha holds a rescued Burmese python at his monastery that has turned into a snake sanctuary on the outskirts of Yangon, Myanmar, November 26, 2020. Wilatha is trying to play a part in saving scores of snakes that might otherwise be killed or destined for the black market. (Photo by Shwe Paw Mya Tin/Reuters)

People brave strong wind on the promenade of Victoria Habour as tropical cyclone Ma-on approaches Hong Kong, Wednesday, August 24, 2022. Tropical Storm Ma-on was gaining strength as it headed for Hong Kong and other parts of southeastern China on Wednesday after displacing thousands in the Philippines. (Photo by Anthony Kwan/AP Photo)

David Pariken 46, of the indigenous Maasai community, roasts meat at the inaugural Maa Cultural Week dubbed The Maa-Festival aimed to promote peace, tourism, and cultural exchange as the wildebeests (Connochaetes taurinus) make their annual cross border migration at the Sekenani village, in the Maasai Mara National Reserve, in Narok County, Kenya on August 22, 2023. (Photo by Thomas Mukoya/Reuters)

A fantasy figure promotes a video game at the Gamescom computer gaming fair in Cologne, Germany, Thursday, August 25, 2022. Around 1,100 exhibitors from 53 countries expect tens of thousands gaming enthusiast daily for the first time since the COVID-19 pandemic at the world's largest gaming event. (Photo by Martin Meissner/AP Photo)

A reveler celebrates New Year's Eve in Kuala Lumpur, Malaysia on December 31, 2022. (Photo by Hasnoor Hussain/Reuters)

People take part in a rally in Jakarta, Indonesia, on March 8, 2024. (Photo by Ajeng Dinar Ulfiana/Reuters)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)