A boy walks past boats docked at the entrance gate of the fishermen's village in the El Max area of the Mediterranean city of Alexandria September 12, 2014. El Max, where hundreds of boats dart through the canals, has been called the “Venice of Egypt” for its waterways and relaxed atmosphere. Its fishermen, however, worry about how they will make ends meet on meagre earnings they say are being reduced further by polluted waters that are making fishing more difficult. While the government has tried to fix the state's bloated finances by cutting subsidies and reining in spending, some argue the reforms hurt Egypt's most vulnerable who have long relied on a generous system of fuel and food subsidies to supplement low incomes. (Photo by Amr Abdallah Dalsh/Reuters)

From Tibetan monks playing basket ball with ice thawing high up in the Himalayas, to the pollution that hides behind the Taj Mahal, here’s pick from 60 exceptional environmental photographs, by photographers and filmmakers from 70 countries, that will go on show at the Royal Geographical Society in London from 29 June to 21 August. The winners will be announced on 28 June. Here: Gravel Workmen of Chittagong, Bangladesh, by Faisal Azim. Gravel workmen look through a glass window at a gravel-crushing yard in Chittagong. Full of dust and sand, it is an extremely unhealthy environment for working, but still hundreds of people work here for their livelihoods. (Photo by Faisal Azim/2016 Atkins CIWEM Environmental Photographer of the Year)

A migrant woman pulls a girl out of the water as refugees and migrants arrive on an overcrowded dinghy in rough sea on the Greek island of Lesbos, after crossing a part of the Aegean Sea from the Turkish coast, October 2, 2015. A record number of at least 430,000 refugees and migrants have taken rickety boats across the Mediterranean to Europe this year, 309,000 via Greece, according to International Organization for Migration figures. (Photo by Dimitris Michalakis/Reuters)

Faithful carry a boat out to sea, filled with offerings to Yemanja, the African sea goddess, during a ceremony honoring the deity in Montevideo, Uruguay, Saturday, February 2, 2013. Thousands of worshippers come to the beach in Montevideo on her feast day, February 2, bearing candles, flowers, perfumes and fruit to show their gratitude for her blessings bestowed upon them. The belief in the goddess sprouts from Umbanda, a blend of religions that include African, Catholicism and Spiritism. (Photo by Matilde Campodonico/AP Photo)

“Great White Shark of Guadalupe Island”. A great white shark very quiet under the boat and a lot of fish. The sun ray lighting the head of the shark. Location: Guadalupe Island, Mexico. (Photo and caption by Marc Henauer/National Geographic Traveler Photo Contest)

ATTENTION! All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture.

Indian men stand around sword fish for sale at a harbour a harbour in Chennai on June 5, 2016, as fishermen return with their catch after a 45-day fishing ban on the east coast of India. Authorities in the southern Indian state of Tamil Nadu had imposed a 45-day ban on fishing by mechanised vessels to protect marine life, with only “country boats” operating within five nautical miles off the coast. (Photo by Arun Sankar/AFP Photo)

In this January 12, 2016 photo, an abandoned boat lies on the dried up lake bed of Lake Poopo, on the outskirts of Untavi, Bolivia. Drought caused by the recurrent El Nino meteorological phenomenon is considered the main driver of the lake's demise. Along with glacial melting, authorities say another factor is the diversion of water from Poopo's tributaries, mostly for mining but also for agriculture. (Photo by Juan Karita/AP Photo)

A picture taken with a drone shows the giant landart painting entitled “Message From Future” by French artist Saype in the park “La Perle du Lac” in Geneva, Switzerland, 16 September 2018 (issued 17 September). The artwork covering 5,000 square meters was produced with biodegradable paints made from natural pigments. The artist called the little girl “Future” as a symbol of the generations from the future and the small origami boats that she drops into Lake Geneva aims to represent a message of hope sent to the world. (Photo by Valentin Flauraud/EPA/EFE)