Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

Topless activist Kaila J. walks through the rain following a “Free the Nipple” demonstration in Hampton Beach, New Hampshire August 23, 2015. (Photo by Brian Snyder/Reuters)

The Sculpture Bank (2017) by Chinese artist Mu Boyan is exhibited along the Bondi to Tamarama Coastal walk as part of the Sculpture by the Sea exhibition in Sydney, Australia, October 18, 2018. (Photo by Charlotte Curd/The Guardian)

Germany's Wolfgang Kimmig-Liebe, who has been volunteering as Santa Claus for years, is searched by a Carabiniere paramilitary police officer before entering in St. Peter's Square at the Vatican to attend Pope Francis general audience, Wednesday, December 2, 2015. (Photo by Alessandra Tarantino/AP Photo)

Athletes in action during the international parachuting competition Mountain Gravity in Quinto, Switzerland, 27 August 2015. Some 200 participants from all over the world are expected to jump at the event running from 22 to 30 August 2015. (Photo by Samuel Golay/EPA)

Performers of circus company Circa perform during a photocall for the Edinburgh Festival Fringe on Calton Hill on August 1, 2017 in Edinburgh, United Kingdom. (Photo by Murdo MacLeod/The Guardian)

People make pictures in a Soviet-era vintage subway car, with a Soviet railways emblem on the side of it, parked in the Partizanskaya subway station in Moscow, Russia, Friday, May 15, 2015. Vintage Soviet-era metro cars were exhibited at the Partizanskaya subway station as part of festivities marking the 80th anniversary of the Moscow subway on Friday. (Photo by Pavel Golovkin/AP Photo)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)