The Lake of Lights at Talkin Tarn lake near Brampton in Cumbria, England on October 22, 2017 – where hundreds of lights in the surrounding woodland represent a cherished memory of a relative friend or loved one no longer with us. (Photo by Owen Humphreys/PA Images via Getty Images)

A worker pulls one of her colleagues on a sled, normally used to transport boxes, in the finish area of the alpine ski venue at the 2022 Winter Olympics, Wednesday, February 16, 2022, in the Yanqing district of Beijing. (Photo by Robert F. Bukaty/AP Photo)

This interesting and canny project by Joseph Ford combines aerial photography with fashion, using a technique that I have never seen before. The concept is simple, yet ingenious. Using various elements within both the aerial and fashion images, Joseph alligns them next to one another to create an alternative reality, and in some shots, it seems as if the garments were purposely created for this to happen. Such a great project that has so much room for experimentation.

In this photograph taken on July 10, 2012, a Pakistani worker pulls on a wire he will connect to a thick chain that will in turn be used to peel away a slab of the outer structure of a beached vessel in one of the 127 ship-breaking plots in Geddani, some 40Kms west of Karachi. (Photo by Roberto Schmidt/AFP Photo)

China has recently relaxed its one child policy that was used to control a burgeoning population. A couple has their wedding photo taken in an old quarter of Beijing on May 24, 2016. (Photo by Michael Robinson Chavez/The Washington Post)

Alpacas peek out of their box in Kielnarowa, Poland, June 11, 2014. A total of 35 female and 3 male alpacas were imported from Chile by the Rzeszow University of Information Technology and Management Center Zoo to be used for the therapy of children. Alpacas also provide one of the most expensive wools. (Photo by Darek Demanowicz/EPA)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.