“I was on Durga Puja Festival vacation, travelling on a local train. A boy was singing devotional song and begging for alms. He was guised as a Hindu god, Lord Shiva. This is a common view in Indian trains but this boy was charming, bright and did have a melodious voice. My camera was ready hanging on my neck so I took a picture”. (Photo and caption by Arup Ghosh/2014 Sony World Photography Awards)

“On the Li River near Xingping in China, Cormorant fishermen work the waterways before dawn amidst the spectacular limestone towers of the Karst landscape. The birds are trained to fetch fish from the inky depths but not swallow them. The fisherman accepts the fish from the birds who dive back for more. Here, still before dawn, the fisherman and his birds head for home”. (Photo and caption by Neville Jones/2014 Sony World Photography Awards)

“One in Eight Hundred” by Mario Wezel, from Germany, is the winner of the “People” category. The title refers to the odds given to Martin and Karina at their prenatal screening before their daughter, Emmy, was born. The five-year-old from Denmark has Down's Syndrome. (Photo by Mario Wezel/Sony World Photography Awards)

“Hard for Life”. (Photo by Theo Vu Xuan/Sony World Photography Awards/WENN.com)

This month’s selection of travel imagery mixes quiet moments and superlative views. The overall 2018 prize is a West Greenland trip with Wild Photography Holidays. Here: “This was taken on a safari in Kruger national park, South Africa. The scene was like something straight out of a storybook: a wild baboon, impala and elephant crossing the road together, all lined up neatly in a row”. (Photo by Will Clarke/The Guardian)

Honourable mention, Behaviour category. Toss the scorpion – Indian roller playing with its kill by Susmita Datta. The image was taken during an early morning safari drive at Tadoba Andhari Tiger Reserve in India. (Photo by Susmita Datta/PA Wire/Royal Society Publishing Photography Competition 2017)

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)