Drag king Riss Obolensky performs as drag king Norman Creebs during the Opening Cabaret at The London Clown Festival in London, Britain, on July 8, 2024. (Photo by Hollie Adams/Reuters)

Demonstrators run inside of subway after clashing with riot police during a protest to denounce the housing crisis and evictions, in Barcelona, Spain, on September 25, 2024. (Photo by Nacho Doce/Reuters)

Models present creations for Etam during the 2017 Spring/Summer ready-to-wear collection fashion show, on September 27, 2016 in Paris, France. (Photo by Swan Gallet/WWD/Rex Features/Shutterstock)

A spotted owlet appears to be playing peek-a-boo near Rancharda Lake in Ahmedabad, India on February 9, 2016. The species is common across the Indian subcontinent. (Photo by Caters News Agency)

A woman carries a water pump to work on February 11, 2017 in Almolonga, Guatemala. The Mayan town in the western highlands district of Quetzaltenango has surged in prosperity in recent years with high-productivity vegetable farming, exporting much of its excess crops to neighborning El Salvador. (Photo by John Moore/Getty Images)

Private Harold L. Langhofer edges into the ball-turret, March 9, 1943. Curled in this position, he can turn the turret so that it fires in any direction. The turret can also be swung around so that the hatch opens into the plane, and the gunner can crawl into it while the Flying Fortress is in motion. (Photo by AP Photo)

Xiren Wang, Lili Wat, and Sitong Chen join the pageant’s opening routine, dancing to “The Boys”, a song by K-Pop group «Girls’ Generation». While the women come from a range of professional backgrounds – including economics, nursing, and acting – every contestant is looking for her big break into the entertainment industry. Most contestants said they would prefer to have a career in the U.S. but would go wherever the opportunity lies. (Photo and caption by John Brecher/Sahra Vang Nguyen/NBC News)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)