A police officer points his gun while confronting a gang during a protest against Prime Minister Ariel Henry's government and insecurity, in Port-au-Prince, Haiti on March 1, 2024. (Photo by Ralph Tedy Erol/Reuters)

A man participates in the Pacu Jawi, a traditional bull race, at Nagari Labuah, in Tanah Datar of West Sumatra, Indonesia, on April 13, 2024. (Photo by Yorri Farli/Xinhua News Agency/Alamy Live News)

Palestinians carry their belongings as they prepare to flee Rafah in the southern Gaza Strip on May 13, 2024, amid the ongoing conflict between Israel and the Hamas militant group. (Photo by AFP Photo/Stringer)

A protester reacts as riot police officers detain him during anti-government demonstrations following nationwide deadly riots over tax hikes, in Nairobi, Kenya, on July 23, 2024. (Photo by Monicah Mwangi/Reuters)

Actors perform as zombies during the “Train to Apocalypse: No Way Out” event at a Light Rail Transit (LRT) train station in Jakarta, Indonesia, 13 July 2024. The Indonesian capital's LRT operator modified train stations into zombie apocalypse settings to promote the use of public transportations and entertain the commuters. (Photo by Mast Irham/EPA/EFE)

A Naga man carries fish in his teeth after it was stunned by dynamite, which fishermen threw in a creek between Donhe and Lahe township, in the Naga Self-Administered Zone in northwest Myanmar December 27, 2014. (Photo by Soe Zeya Tun/Reuters)

This lemur looks like he is channelling the spirit of Buddha – as he sits meditating. Sitting with his legs crossed, the lemur clasps his thumb and fore finger together with outstretched arms – just like the spiritual teacher. And amateur snapper Sebastien Degardin, 32, was on hand to capture the bizarre moment the animal searched for enlightenment on film. Sebastien, who moved from his native Belgium to Finchley, North London, said: “I was gobsmacked when I saw this lemur meditating”. (Photo by Sebastien Degardin/Caters News)

141 boxers’ by Danish visual artist and photographer Nicolai Howalt is a series of diptychs portraying boxers before and after their fight. Ranging from young boys to women, the collection of images delineates not only the brutal aftermath of a match but the more subtle changes in the subject’s physiology due to adrenaline, struggle, and the complex emotions that come with victory and loss.