The Russian One is a new commuter tram that looks like something from a Sci-Fi film. The futuristic tram features LED cabin lighting, felt-covered sofas, wooden handrails, and sliding glass doors that operate by touchscreen. Luckily, photographer Ilya Varlamov was able to snap some pictures of the new Russian One prototype, right from the showroom floor.

A man sits under lanterns and decorations on a street ahead of the Chinese Lunar New Year in Chinatown Yangon, Myanmar January 23, 2017. (Photo by Soe Zeya Tun/Reuters)

A woman holds thre dogs by a make shift leash amongst the debris left behind by a tornadon on February 7, 2017 in New Orleans, Louisiana. (Photo by Sean Gardner/Getty Images)

A Thai and foreign revelers battle with water guns during the annual Songkran celebration at Khaosan Road, a tourist spot in Bangkok, Thailand, 12 April 2017. The four southeast Asian nations of Myanmar, Thailand, Cambodia and Laos started the Buddhist new year, known as Thingyan in Myanmar and Songkran in Thailand, on April 13. (Photo by Rungroj Yongrit/EPA)

Local priests celebrate the “Aimara New Year”, an Andean Bolivian traditional festival that marks the winter solstice in El Alto, Bolivia, 21 June 2016. Aimara or Aymara means the Return of the Sun. (Photo by Martin Alipaz/EPA)

These powerful images capture the spear-wielding tribes of Papua new Guinea who believe they are possessed with the spirit of the crocodile. They show how the Kangunaman clansmen scar their backs to resemble reptile scales while the Huli Wigmen wear elaborate headdresses to signal they are ready for battle. (Photo by Trevor Cole/Media Drum World)

A Nepalese Gurung community woman, wearing traditional attire, prepares to participate in a parade to mark their New Year known as “Tamu Loshar” in Kathmandu, Nepal, Friday, December 30, 2016. The indigenous Gurungs, also known as Tamu, are celebrating the advent of the year of the bird. (Photo by Niranjan Shrestha/AP Photo)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.