Makeup artist He Yuhong, also known as “Yuya”, checks herself in the mirror during a photo shoot following her transformation into the “Girl with a Pearl Earring”, the 17th century oil painting by Dutch painter Johannes Vermeer, at her house in Chongqing, China on August 14, 2018. (Photo by Thomas Suen/Reuters)

A woman worker prepares her stall at Tanah Abang textile market in Jakarta, Indonesia January 11, 2017. (Photo by Fatima El-Kareem/Reuters)

Pals let their hair down for one last hoorah in Cardiff, capital of Wales on September 12, 2020. Groups of friends crammed into pubs and restaurants to “go out in style” before the “rule of six” is enforced on Monday. (Photo by Huw Evans Picture Agency/The Sun)

Performers entertain passengers at London Heathrow Airport's T3 on Monday, November 8, 2021, as the US reopens its borders to UK visitors in a significant boost to the travel sector. Thousands of travellers are jetting off on transatlantic flights for long-awaited reunions with family and friends. (Photo by Steve Parsons/PA Images via Getty Images)

Ballerina Kira Hilli of the Netherlands National Ballet dances in a tutu with a diameter of 3 meters for a video made for the 1.5 meter society, on the Prinsengracht in Amsterdam, The Netherlands, 04 June 2020 (issued on 12 June 2020). The so-called social distance tutu is made of denim fabric, specially made for the Safe Distance Ballet. (Photo by Remko de Waal/EPA/EFE)

In this February 19, 2017 photo, a couple dances during the “If you don't give me....then you lend me” Carnival street party on Ipanema beach, in Rio de Janeiro, Brazil. The typical view of Carnival in Brazil is anything goes, with no headdress too big, no outfit too small, no song too ribald, but this year some organizers of the world's best known party are drawing the line at lyrics that are sexist, homophobic or racist. (Photo by Silvia Izquierdo/AP Photo)

A jogger runs on the bank of Donaukanal channel in central Vienna, Austria, September 5, 2016. (Photo by Heinz-Peter Bader/Reuters)

The song is presented in this publication in two different executions. The first (performed by monastic chorus) – classical, but bad. The second – national, good. Enjoy.

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