An orphaned giraffe nuzzling a wildlife keeper at Sarara camp in Kenya, one of 70 pictures being sold by Prints for Nature (printsfornature.com) to raise money for work by the Conservation International charity. This giraffe was rehabilitated and returned to the wild, as a number of others have done before him. Right now, giraffe are undergoing what has been referred to as a silent extinction. Current estimates are that giraffe populations across Africa have dropped 40 percent in three decades, plummeting from approximately 155,000 in the late 1980s to under 100,000 today. (Photo by Ami Vitale/National Geographic)

A migrant worker wearing face masks to help curb the spread of the coronavirus walks up to a pedestrian bridge in Beijing, Sunday, December 6, 2020. Provincial governments across China are placing orders for experimental, domestically made coronavirus vaccines, though health officials have yet to say how well they work or how they may reach the country's 1.4 billion people. (Photo by Andy Wong/AP Photo)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)

Gunfire was brought to the steps of President Truman's Washington home, Blair House, as two assassins tried to kill the chief executive, November 1, 1950. One of the gunmen, Oscar Collazzo of New York, lay wounded at the bottom of Blair House's front steps after the president's police guard had finished their work, at the cost of one guards' life, Dec. 9, 1950. The second gunman was killed. (Photo by Harvey Georges/AP Photo)

Auxiliary Territorial Service (ATS) plotters at work at Coastal Artillery Headquarters in Dover, December 1942. The Auxiliary Territorial Service was the women's branch of the British Army during the Second World War. It was formed on 9 September 1938, initially as a women's voluntary service, and existed until 1 February 1949, when it was merged into the Women's Royal Army Corps. The ATS had its roots in the Women's Auxiliary Army Corps (WAAC), which was formed in 1917 as a voluntary service. During the First World War its members served in a number of jobs including clerks, cooks, telephonists and waitresses. The WAAC was disbanded after four years in 1921. (Photo by Ted Dearberg/IWM/PA Wire)

Sébastien Del Grosso is a French artist and a photographer, who will allow you to enter the world of surrealism, which combines photography and hand-drawn art. His works masterfully blur the transition between the real photo and the picture. By viewing his works, we can see that Sébastien is not only a master of creating photo illusions, but also a person who tries to show his inner world through his art. His emotions, his feelings, his fears and desires are all vividly and skillfully expressed in simple strokes of a pencil. He is the continuation of his art. So much so, that he loses his identity, fearing it, but being unable to stop. (Photo by Sébastien Del Grosso)

Belgian animal sculptor Emmanuel Janssens Casteels works at his desk next to a replica of a Smilodon, an extinct genus of machairodont felid, in his workshop in Prayssas December 3, 2014. Casteels' company OPHYS specializes in life-size reconstructions and the sculpting or moulding reproductions of animals and hyper-realist fossils. His reconstructions are exhibited in museums and theme parks. (Photo by Regis Duvignau/Reuters)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.