A man with a painted face and traditional costumes takes part in the Schleicherlaufen festival in the western Austrian town of Telfs February 1, 2015. (Photo by Dominic Ebenbichler/Reuters)

Youths play a traditional pillow fight game on a bamboo pole during festivities marking the 69th anniversary of Myanmar Independence Day on the outskirts of Yangon on January 4, 2017. Various traditional and local events were held on the holiday which marks the 69th anniversary of the country known before as Burma when British colonial rule ended on January 4, 1948. (Photo by Ye Aung Thu/AFP Photo)

A woman rides a donkey during a donkey race in Roum village, Jizeen countryside, southern Lebanon, August 9, 2015. (Photo by Ali Hashisho/Reuters)

Soldiers and firefighters carry the body of Chilean President Salvador Allende, wrapped in a Bolivian poncho, out of La Moneda presidential palace after it was bombed during a coup by Gen. Augusto Pinochet in Santiago, Chile, September 11, 1973. (Phoot by El Mercurio/AP Photo)

Britain Football Soccer, Burnley vs Swansea City, Premier League, Turf Moor on August 13, 2016. Burnley fan with face paint outside the stadium before the match. (Photo by Ed Sykes/Reuters/Action Images/Livepic)

Two models sit in an acrylic “ZF-Car” from the German manufacturer of the same name at the Automechanika automotive service industry trade fair in Frankfurt am Main, Germany, 12 September 2016. The Automechanika Fair runs from 13 to 17 September 2016. (Photo by Boris Rössler/EPA)

Athlets cross the water jump in the womens 3000 meter steeplechase race at the Olympiastadion in Munich, Germany during the 2022 European Championships on August 18, 2022. (Photo by Morgan Treacy/INPHO)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)