Photographer Howard Schatz had an idea: place actors in a series of roles and dramatic situations to reveal the essence of their characters. Such was the premise behind his book, In Character: Actors Acting, which captures some of Hollywood’s most emotive stars in the act of, well, making faces. Luckily for us, he continued the tradition for Vanity Fair. Here are some of the best.
A machine works on a Rio 2016 Olympic medal at the Casa da Moeda do Brasil (Brazilian Mint) in Rio de Janeiro, Brazil, June 28, 2016. The Casa da Moeda do Brasil is the Brazilian mint, owned by the Brazilian government and administratively subordinated to the Ministry of Finances. It was established in 1694. (Photo by Sergio Moraes/Reuters)
U.S. Marine Lt. Ben Reid from 1/2 Charlie Company of Task Force Tarawa waits to be medivaced after being hit with shrapnel and a machine gun round, in the southern Iraqi city of Nasiriyah, on March 23, 2003. The Marines suffered a number of deaths and casualties during gun battles throughout the city. (Photo by Joe Raedle via The Atlantic)
As the sun sets on the Malecon in Havana on Friday January 23, 2015, Surenis Angulo de la Paz, 24, center, dances as group of locals play music around her. Behind her is Fidel Lopez, 55. (Photo by Sarah L. Voisin/The Washington Post)
People gather at the site of a train derailment near Beni Suef, Egypt, Thursday, February 11, 2016 that injured dozens of people were injured as it was traveling north toward Cairo. Railroad accidents due to negligence are common in Egypt. Egyptians have long complained that the government has failed to deal with the country's chronic transport problems. (Photo by Samer Abdallah/AP Photo)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)