An Afghan boy carrying empty plastic cans, walks along a street in Kabul on December 21, 2023. (Photo by Wakil Kohsar/AFP Photo)

Pakistani Christian Maria Akbar, 15, checks herself in the mirror, after having her make up done by hairdresser Razia Rehmat, 39, in preparation for Christmas holiday, at a hair salon, in a slum that hosts Christian families, on the outskirts of Islamabad, Pakistan, Wednesday, December 24, 2014. (Photo by Muhammed Muheisen/AP Photo)

College students take shelter at a traffic point as a man paddles his rickshaw through a flooded road during heavy rain in Guwahati, India, June 13, 2017. (Photo by Anuwar Hazarika/Reuters)

Children of the Roma community play as they cool off in a fountain in the main square of Pristina, Kosovo on June 14, 2017. (Photo by Armend Nimani/AFP Photo)

In this photograph taken on April 28, 2018, Afghan children work at a coal yard on the outskirts of Jalalabad, Afghanistan. (Photo by Noorullah Shirzada/AFP Photo)

The camera rolls as actors dressed as historical Chinese soldiers act as though they have been hit by artillery, during filming of “The Last Prince” television series on location near Hengdian World Studios near Hengdian July 24, 2015. Hundreds of well-trained actors and other professionals are available at the Hengdian World Studios. The well-organised team coordinate complicated battle scenes to satisfy the huge appetite for productions about the war against Japan. (Photo by Damir Sagolj/Reuters)

Ukrainian law enforcement officers restrain an activist of women's rights group Femen, who holds a protest outside the presidential administration headquarters while marking the International Day for the Elimination of Violence against Women in Kyiv, Ukraine on November 25, 2020. (Photo by Valentyn Ogirenko/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)