“Former Harry Potter star Emma Watson has shed her squeak-clean image by parading the streets in a bra and hot pants for her role in Sofia Coppola's latest movie. The actress has signed up for a leading role in The Bling Ring, playing one of the real-life teens who stole from the homes of stars including Paris Hilton, Lindsay Lohan and Orlando Bloom in 2008 and 2009. A series of images from the Los Angeles film set are set to shock the Brit's younger fans as she has been photographed strutting in tiny shorts, a bra-style top, leather jacket and towering high heels”. (Photo by PR Photos/Gaz Shirley/KVS/PacificCoastNews.com)

“In 2009 a monumental underwater museum called “MUSA” (Museo Subacuático de Arte) was formed in the waters surrounding Cancun, Isla Mujeres and Punta Nizuc. The project founded by Jaime Gonzalez Cano of The National Marine Park, Roberto Diaz of The Cancun Nautical Association and Jason deCaires Taylor consists of over 450 permanent life-size sculptures and is one of the largest and most ambitious underwater artificial art attractions in the world”. – UnderwaterSculpture (Photos by Jason deCaires Taylor/Intrepidacious/Kozy and Dan Kitchens)

The incredible photographs show the three alligators crowding around the man’s head as they look directly at the camera and one even appears to sit on his lap whilst another reptile places a claw on his arm as it swims towards the surface. Photographs taken from above the surface show animal handler, Chris Gillette (29) from Fort Lauderdale, Florida, USA holding an alligator out of the water. The images of Chris were taken by Michael Dornellas at the Everglades Outpost Wildlife Rescue, Florida USA. Here: Mich­ael Dornellas brings the beast up close and personal to the camera. (Photo by Chris Gillette and Michael Dornellas/Mediadrumworld.com)

Heads of love dolls are seen on the shelf on March 9, 2017 in Tokyo, Japan. Japan's oldest and largest “love doll” maker Orient Industry, has been producing silicone love dolls since 1977, and has seen there is a trend for intimate relationships with silicone dolls in Japan. (Photo by Taro Karibe/Getty Images)

These ink-redible, explosive masterpieces are like say-what-you see inkblots tests only in water. The vibrant colors burst from Brian Tomlinsons works, appearing as though they may be coloured ash clouds from an erupting volcano, rather than simply everyday substances. By doing so, Brian challenges viewers to identify what images can be imagined when mixing one fluid with another. In order to shoot the series, entitled Liquid Ink Art, Brain, 40, drops different coloured inks into a fish tank full of water before capturing high-speed shots with a flash. Here: Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)

A girl paddles on her stand-up board on the waters of Guanabara bay at Bica beach in Rio de Janeiro Brazil, January 10, 2016. Few features capture the beauty, or the problems, of one of the world's most dramatic urban landscapes like Guanabara Bay - the finger-like inlet that forms the shoreline and harbor for Rio de Janeiro. The bay, which carves into southeast Brazil from the Atlantic Ocean, literally gave Rio its name when Portuguese mariners mistook it for a “rio”, or “river”. Four centuries later, the bay is preparing to welcome another sort of seafarer – Olympic sailors, who will navigate the bay when the 2016 Rio Olympics kick off in August. (Photo by Ricardo Moraes/Reuters)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)