A cockfight is seen at an event organised to celebrate the Lunar New Year and the year of the Rooster on the outskirts of Bangkok, Thailand January 29, 2017. (Photo by Jorge Silva/Reuters)

Devotees walk through the woods of Changu Narayan as they arrive to perform rituals and prayers during the Swasthani Bratakatha festival in Bhaktapur, Nepal February 8, 2017. (Photo by Navesh Chitrakar/Reuters)

Underwater photographer of the year – winner. Dancing Octopus by Gabriel Barathieu (France). Location: Island of Mayotte, off the coast of south-east Africa. “Balletic and malevolent”, one judge said of this octopus, hunting in a lagoon. Barathieu waited until spring tides when there was just 30cm of water on the flats and plenty of light in the shallows. (Photo by Gabriel Barathieu/UPY2017)

Tropical acrobatics by Adrià López Baucells in Manaus, Brazil. An unidentified South American marsupial, although the characteristic black markings on its face indicate it may be a mouse opossum. These small creatures are nocturnal and feed on bugs, fruit and bird eggs. (Photo by Adrià López Baucells/2019 Royal Society of Biology Photography Competition)

Current England long jump champion and London 2012 hopeful J. J. Jegede attempts an exhibition jump over three Limited edition 2012 MINIs on September 28, 2011 in London, England. This world first is taking place to celebrate the launch of the MINI London 2012 Edition models, of which only 2,012 will be produced. (Photo by Julian Finney/Getty Images for BMW)

Aerial view of Skanderbeg Square in Tirana, lit with Christmas decorations and surrounded by an open Christmas market on December 29, 2021. (Photo by Gent Shkullaku/AFP Photo)

Photographer holding digital camera during photoshoot of fashion model. (Photo by grinvalds/Getty Images)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)