Migrant Haya from Artoz, Syria, shows a picture of her town as she waits to cross the Slovenia-Austria border in Sentilj, Slovenia October 25, 2015. (Photo by Srdjan Zivulovic/Reuters)

British Gas engineer Martin Caulfield, 69, services and cleans a gas lamp in front of Big Ben on October 31, 2011 in London, England. Caulfield has been looking after the traditional lights since 1982. There are still around 1600 left in the capital. (Photo by Matthew Lloyd/Getty Images)

Dallas Cowboys cheerleaders entertain the crowds during a match against Washington Football Team at AT&T Stadium on December 26, 2021 in Arlington, Texas. (Photo by Tim Heitman/USA TODAY Sports)

A view shows a Lun-class Soviet-made ekranoplan, which is a naval craft and a ground-effect vehicle, on the Caspian Sea coastline in Derbent in the Republic of Dagestan, Russia on November 3, 2020. (Photo by Kazbek Basayev/Reuters)

American singer-songwriter Miley Cyrus in the last decade of January 2023 lounges in shades and rocks a sharp black bikini. (Photo by Dolce Glow by Isabel Alysa/Instagram)

A woman in the Sabean Mandaean community takes part in a ritual during the Prosperity Day celebration in the Tigris River in central Baghdad, Iraq, Tuesday, November 1, 2022. (Photo by Hadi Mizban/AP Photo)

A farmer harvests apples at an apple orchard on October 10, 2020 in Yiyuan County, Shandong Province of China. (Photo by Zhao Dongshan/VCG via Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.