Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

“Early morning in Mandawa, rural Rajasthan: it was the morning of Diwali and the streets were swept by smiling women in brightly coloured sarees as I took an early morning cup of chai. Celebrations started later, when darkness fell”. (Photo by Hamish Scott-Brown/Guardian Witness)

Farmer Ash Whitney stands in the middle of a dried-up dam in a drought-effected paddock on his property located west of the town of Gunnedah in New South Wales, Australia, June 3, 2018. “I have been here all my life, and this drought is feeling like it will be around a while”, said Whitney. (Photo by David Gray/Reuters)