N.C. Dezendorf, wife of the general manager of the Electro-Motive division of General Motors, christens the new lightweight “Aerotrain” at the company's locomotive works in La Grange, Ill. on August 22, 1955. (Photo by Edward Kitch/AP Photo)
Yippie leader Jerry Rubin, barred on December 4, from House Un-American Activities subcommittee hearing, aims a toy gun in “self defense” outside the Washington hearing room on December 5, 1969. Rubin showed up in his Santa Clause suit because he believed it was typical of the committee which, he said, “is a total circus”. (Photo by Bob Daugherty/AP Photo)
Mae Zelinsky, left, and Betty O'Beda test ammunition on a .30 caliber rifle at a Remington Arms plant on April 30, 1943. Many women took over jobs that were left vacant when men went overseas to fight in World War II. (Photo by AP Photo)
Freshers partied on the streets as they headed to clubs on September 23, 2021 in Leeds, United Kingdom. Crowds of freshers headed out with their new pals to party until the early hours as Freshers Week continues across the country. (Photo by Nb press ltd)
English actress Diana Rigg as “Emma Peel” is tied to a railway track as a miniature train advances on her in a scene from the television series “The Avengers” in 1968. Rigg died at her home in London on 10 September 2020, at the age of 82. (Photo by Popperfoto via Getty Images/Getty Images)
A man checks his footing as he wades through the Morris Canal Outlet in Jersey City, N.J., as the sun sets on the lower Manhattan skyline of New York City, Tuesday, May 31, 2022. (Photo by J. David Ake/AP Photo)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)