Devotees walk through the woods of Changu Narayan as they arrive to perform rituals and prayers during the Swasthani Bratakatha festival in Bhaktapur, Nepal February 8, 2017. (Photo by Navesh Chitrakar/Reuters)

Underwater photographer of the year – winner. Dancing Octopus by Gabriel Barathieu (France). Location: Island of Mayotte, off the coast of south-east Africa. “Balletic and malevolent”, one judge said of this octopus, hunting in a lagoon. Barathieu waited until spring tides when there was just 30cm of water on the flats and plenty of light in the shallows. (Photo by Gabriel Barathieu/UPY2017)

Current England long jump champion and London 2012 hopeful J. J. Jegede attempts an exhibition jump over three Limited edition 2012 MINIs on September 28, 2011 in London, England. This world first is taking place to celebrate the launch of the MINI London 2012 Edition models, of which only 2,012 will be produced. (Photo by Julian Finney/Getty Images for BMW)

The remarkable scene was captured by amateur wildlife photographer Ian Salisbury, 62, at the South Luangwa National park in Zambia. The crocodile grabs hold of the elephant's trunk, but it soon becomes clear that he has bitten off a lot more than he can chew by grabbing the huge beast. Mr Salisbury said the elephant “fled rapidly into the bush” after the attack. (Photo by Ian Salisbury/Caters News)

Aerial view of Skanderbeg Square in Tirana, lit with Christmas decorations and surrounded by an open Christmas market on December 29, 2021. (Photo by Gent Shkullaku/AFP Photo)

Tropical acrobatics by Adrià López Baucells in Manaus, Brazil. An unidentified South American marsupial, although the characteristic black markings on its face indicate it may be a mouse opossum. These small creatures are nocturnal and feed on bugs, fruit and bird eggs. (Photo by Adrià López Baucells/2019 Royal Society of Biology Photography Competition)

Photographer holding digital camera during photoshoot of fashion model. (Photo by grinvalds/Getty Images)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)