A white crab spider hides between the petals of a rain spotted rose blossom in the garden of a home near Oakland in southwestern Oregon on August 23, 2024. Crab spiders are ambush predators and wait patiently for their prey to approach. (Photo by Robin Loznak/ZUMA Press Wire/Rex Features/Shutterstock)

Yuandudu, a camera-shy panda cub, covers her eyes in Beauval ZooParc in France in November 2021. The three-month-old and her twin are fed once each by their mother every day, taking 150-200g of milk per feed. In between they have one bottle feed per day from the specially trained keepers who were sent from China to supervise their birth and early care. (Photo by Eric Baccega/Naturepl.com/LDY Agency)

The six-months-old female koala cub holds on to the back of zoo keeper Lena at the zoo in Duisburg, Germany, 23 October 2015. The yet unnamed baby weighs 580 grams. (Photo by Roland Weihrauch/EPA)

Russia's Andrey Rublev tries to remove a cricket from the court during the men's singles match against USA's Sebastian Korda on day six of the Australian Open tennis tournament in Melbourne on January 19, 2024. (Photo by David Gray/AFP Photo)

A man holds a copy of the Koran during a protest against Niger President Mahamadou Issoufou's attendance last week at a Paris rally in support of French satirical weekly Charlie Hebdo, which featured a cartoon of the Prophet Mohammad as the cover of its first edition since an attack by Islamist gunmen, in Niamey January 17, 2015. (Photo by Tagaza Djibo/Reuters)

Many powerful photographs have been made in the aftermath of the devastating collapse of a garment factory on the outskirts of Dhaka, Bangladesh. But one photo, by Bangladeshi photographer Taslima Akhter, has emerged as the most heart wrenching, capturing an entire country’s grief in a single image... Photo: Two victims amid the rubble of a garment factory building collapse in Savar, near Dhaka, Bangladesh, April 25, 2013. (Photo by Taslima Akhter)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)