A Palestinian boy stands next to a damaged car following an Israeli raid in Tulkarm in the Israeli-occupied West Bank on October 20, 2023. (Photo by Raneen Sawafta/Reuters)

A boy takes his basset hound for a walk with a difference in Noosa, Australia on Saturday, March 9, 2024, during the annual Surf Dog Championships. (Photo by Roberta Holden/Solent News)

A wounded Palestinian boy reacts at the site of an Israeli strike on a house, amid the ongoing conflict between Israel and the Palestinian Islamist group Hamas, in Rafah, in the southern Gaza Strip on May 1, 2024. (Photo by Hatem Khaled/Reuters)

A boy wears a medieval helmet during a festival dedicated to the Day of Russia in St. Petersburg, Russia, Wednesday, June 12, 2024. The Day of Russia is celebrated annually on 12 June. (Photo by Dmitri Lovetsky/AP Photo)

A boy sits in a floating basket as people wade through a flooded street following the impact of Typhoon Yagi, in Hanoi, Vietnam, on September 11, 2024. (Photo by Khanh Vu/Reuters)

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

Some people use paper as their canvas for creating works of art, Patrik Bundeli, on the other hand, uses Ping-Pong balls. His steady hand turns simple white balls into elaborate cartoonish faces. Some of his works feature black and white gothic visages, while others have adorable little snouts. The latter ones would make a wonderful addition to any working place, putting smiles on everyone’s faces. (Photo by Patrik Bundeli)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.