“Ben Heine (born 12 June 1983 Abidjan, Ivory coast) is a Belgian multidisciplinary artist. Starting as a painter and political cartoonist, he became more widely known in 2011 for his “Pencil vs Camera” and “Digital Circlism” projects”. – Wikipedia (Photo by Ben Heine; Source: Flickr)

This project is a phenomenological social interaction experiment that focuses on the relationship of giving and receiving by literally transforming a human into a camera. Touchy, (the person wearing the device) is blind most of the time until you touch his/her skin. Once vision is given to Touchy, he/she can take photos for you. This human camera, with its unique properties, aims at healing social anxiety by creating joyful interactions.

Jeff Friesen's photography project entitled 'The Canadian: Ghost Train Crossing Canada' appears to show a train crossing Canada - but, in fact, the train is just two inches tall. His work captures the travels of a scale model vintage 1955 streamliner passenger train against picturesque landscapes.

Artist Paolo Curcio craves tiny bas-relief sculptures into coins – a traditional art form known as the hobo nickel. Curcio’s coins feature intricately detailed hobos, skulls and a variety of pop culture characters. Plastic castings of his works are available online.

“Jason deCaires Taylor is an English sculptor specialising in the creation of contemporary underwater sculptures which over time develop into artificial coral reefs. Taylor integrates his skills as a conservationist, underwater photographer and scuba diving instructor to produce unique installations that encourage the habitation and growth of corals and marine life”. – Wikipedia. Photo: “The Silent Evolution”. Underwater Sculpture, Museo Subacuático de Arte, Cancun. (Photo by Jason deCaires Taylor/UnderwaterSculpture)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.