Ana Ivanovic of Serbia plays a backhand return to Maria Sharapova of Russia during their women's singles final match at the Brisbane International tennis tournament in Brisbane, January 10, 2015. (Photo by Jason Reed/Reuters)

Fish are thrown onto a truck during a winter fishing festival held on the frozen Wulungu Lake in Fuhai county, Xinjiang Uighur Autonomous Region, January 18, 2015. (Photo by Reuters/China Daily)

A boy looks for sellable materials close to the burning garbage in the permanent waste land under Sylhet City Corporation for a living, on January 15, 2015. (Photo by Md. Akhlas Uddin/Pacific Press)

A man is silhouetted in front of the Allianz-Arena as he walks his dogs at sunrise in Munich, southern Germany, Friday, April 10, 2015. (Photo by Peter Kneffel/AP Photo/DPA)

A visitor holds up her toy bunny to the aquarium glass in front of Aurora the Russian polar bear at the Sao Paulo Aquarium in Sao Paulo, Brazil, Thursday, April 16, 2015. (Photo by Andre Penner/AP Photo)

Revellers ride during the 54th annual brass band festival in the Serbian village of Guca August 7, 2014. Every year Guca is swamped by thousands of people taking part in the celebration of brass band music. (Photo by Marko Djurica/Reuters)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)