(L-R) Pieter Van Lankveld, Jay Schippers, Ynze Oegema, Justin Kimmann, Teun Kivit and Twan Van Gendt compete during the Dutch National BMX Championships at Olympic Training Centre Papendal on October 11, 2020 in Arnhem, Netherlands. (Photo by Dean Mouhtaropoulos/Getty Images)

In this Wednesday, June 8, 2016 photo, Joe Giles, an actor portraying a zombie in “The Walking Dead”, poses with social media reporter Danielle Datu during a walker boot camp at Universal Studios Hollywood in Los Angeles. (Photo by Jae C. Hong/AP Photo)

(L-R) Chris Diamantopoulos, AnnaLynne McCord, Matt Jones and Jane Seymour visit the Build Series at Build Studio on January 23, 2018 in New York City, United States. (Photo by Brad Barket/Getty Images)

The Belgian rider Wout van Aert crashes during an ascent on the 11th stage of the Tour de France in Col de Néronne, France on July 10, 2024. (Photo by Anne-Christine Poujoulat/AFP Photo)

Dale Steil wears face paint and lights before Game 5 of the Western Conference finals in the NHL hockey Stanley Cup playoffs Thursday, May 29, 2025, in Dallas. (Photo by Gareth Patterson/AP Photo)

An Indian girl cries as a medical worker collect her swab sample for COVID-19 test at a rural health center in Bagli, outskirts of Dharmsala, India, Monday, September 7, 2020. India's coronavirus cases are now the second-highest in the world and only behind the United States. (Photo by Ashwini Bhatia/AP Photo)

A young Afghan vendor waits for customers to buy sheep's heads at a roadside stall at the busy market in Kabul on November 29, 2015. (Photo by Wakil Kohsar/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)