Opposites can attract and Anzac a doe-eyed baby kangaroo has become best friends with Peggy, a tiny squint-eyed wombat. Their unlikely union developed after the pair - both orphans - shared a pouch at the Wildlife Kilmore Rescue Centre in Victoria, Australia. At just over five months old, Anzac was brought to the centre after being rescued in the Macedon Ranges. The joey is in the mother kangaroo's pouch for about eight months, depending on the species, but Anzac was abandoned a few months before he was ready to be free.

In this photo illustration, an endangered Chinese box turtle which hatched at Bristol Zoo is placed on a box of matches on August 12, 2008 in Bristol, England. It weighs just 15 grams and measures around 4cm long whereas an adult box turtle weighs around 800 grams, measures around 16 cm long and can live up to 50 years. Chinese box turtles are hunted for their meat for use in medicine or as pets and have been listed as endangered on the International Union for Endangered Species Red List. (Photo by Matt Cardy/Getty Images)

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

Photographer Pierre-Louis Ferrer shows viewers the beauty of France in a whole new light, shooting the country in beautiful infrared. Ferrer’s images are as enchanting as they are intriguing, displaying a whole new variation of color in shrubs, grass and trees, as well as famous landmarks. In some of Ferrer’s works, the foliage is an eye-catching canary yellow – a stark contrast to the more normal shades in the remainder of the images. In other works, whole forests glow red, giving the French countryside an otherworldly look. (Photo by Pierre-Louis Ferrer/Caters News Agency)

A poster for the IMAX presentation of “The Hunger Games: Catching Fire” (left), and a teaser poster for “The Hunger Games: Mockingjay, Part I”, both created by the Los Angeles-based design firm IGNITION. Both are nominated for the 2014 Key Art Awards in the category of Theatrical Domestic One-Sheet. The Hollywood Reporter's annual competition for the best in film and TV advertising honors some of the most creative imagery used in movie posters. Here is a selection of some of this year's nominees. (Photo by Key Art Awards 2014)

“Lorenzo Quinn (born May 7, 1966) is an Italian artist and sculptor and the fifth son of the actor Anthony Quinn. By the age of 21 he gained the respect of the New York art community when he was commissioned to make an art work for the United Nations of which a stamp was later made. Quinn was later selected to head the Absolut Vodka ad campaign for which only top international artists are chosen”. – Wikipedia

Photo: Lorenzo Quinn's Vroom Vroom sculpture is installed in its new setting on Park Lane on January 23, 2011 in London, England. The four-metre high sculpture, consists of a vintage Fiat 500, the first car that the sculptor ever bought, grasped by an oversized aluminium child's hand modelled from Quinn's son. The exhibition has previously been displayed in Valencia and Abu Dhabi. (Photo by Matthew Lloyd/Getty Images for Halcyon Gallery)

Emilia Pechinkova, a 24-years-old Bulgarian Pomak (Bulgarian speaking Muslims) bride poses for a photograph following the “gelina” or face painting ceremony carried out by female guests and relatives in preparation for her three-day wedding ceremony in the village of Draginovo, 100 kms southeast of Sofia on April 22, 2016. Bulgaria's Muslim population is one of the highest in the European Union. During the Communist regime religious rituals were not tolerated, and Muslims were forced to abandon wearing their traditional wedding outfits. Recently, more young Pomak women want to include traditional wedding customs that were forbidden during the regime, regardless of their secular lifestyles and the high cost of such a wedding. (Photo by Nikolay Doychinov/AFP Photo)