Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)

A figure of a skeleton is seen painted in a hallway of the house built underground by Manuel Barrantes in San Isidro de Perez Zeledon, Costa Rica, March 14, 2016. Barrantes started digging through red soil and volcanic rock on his farm 12 years ago to build his subterranean house, between 15 and 63 feet (4.57 and 19.2m) underground. The dwelling, which Barrantes says provides a peaceful and comfortable home for him and his family away from noise pollution and the effects of climate change, now covers about 2,000 square feet (185.8 square metres). (Photo by Juan Carlos Ulate/Reuters)

Water is seen on part of the glacial ice sheet that covers about 80 percent of the country is seen on July 17, 2013 on the Glacial Ice Sheet, Greenland. As the sea levels around the globe rise, researchers affilitated with the National Science Foundation and other organizations are studying the phenomena of the melting glaciers and its long-term ramifications. The warmer temperatures that have had an effect on the glaciers in Greenland also have altered the ways in which the local populace farm, fish, hunt and even travel across land. In recent years, sea level rise in places such as Miami Beach has led to increased street flooding and prompted leaders such as New York City Mayor Michael Bloomberg to propose a $19.5 billion plan to boost the citys capacity to withstand future extreme weather events by, among other things, devising mechanisms to withstand flooding. (Photo by Joe Raedle)

“The Sumatran tiger (Panthera tigris sumatrae) is a rare tiger subspecies that inhabits the Indonesian island of Sumatra. It was classified as critically endangered by IUCN in 2008 as the population is projected to be 441 to 679 individuals, with no subpopulation having an effective population size larger than 50 individuals, with a declining trend”. – Wikipedia

This photo taken on July 25, 2012 one of 14 preserved bodies of critically-endangered Sumatran tigers seized as members of the Indonesian national police and the special crime unit inspect the scene at a warehouse in Cibubur, south of Jakarta. Indonesian police seized 14 preserved bodies of critically-endangered Sumatran tigers in a raid on a house near Jakarta, a spokesman said on July 19. (Photo by Bay Ismoyo/AFP Photo)

Humanoid robots compete in a group match of the 20th RoboCup in Leipzig, Germany, June 30, 2016. About 3,500 participants from 45 countries and regions compete in the robot world championship until 04 July. (Photo by Sebastian Willnow/EPA)

Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light”. (Photo by Brendan Fitzpatrick)