Underwater photographer of the year 2020 and wide angle category winner: Frozen Mobile Home by Greg Lecoeur (France) in the Antarctic peninsula, Antarctica. Crabeater seals swim around an iceberg. These massive and mysterious habitats are dynamic kingdoms that support marine life. As they swing and rotate slowly through polar currents, icebergs fertilise the oceans by carrying nutrients from land that spark blooms of phytoplankton, fundamental to the carbon cycle. (Photo by Greg Lecoeur/Underwater Photographer of the Year 2020)

“People of the River”. This is a Karo tribe family; father, mother, two sisters and two brothers. The tribe, who live along the Omo River in east Africa, incorporate rich symbolism into their rituals by using ornate body art, headdresses and body scarification to express beauty and significance. (Photo by Jatenipat Ketpradit/International Portrait Photographer of the Year)

Highly commended, mammals: Gelada after the storm – Marco Gaiotti (Italy). “Gelada baboons are the only monkey species in the world that feed on grasses. They are native to the tableland of Ethiopia. Every morning large family groups wander from their sleeping places in the steep rock face, up to 1,000 metres high, to the feeding grounds at the tablelands. This image clearly depicts their feeding strategy: they pull out bunches of grass, sort the stalks and then lift them to their mouth. This shot was taken towards the end of the rainy season after a heavy storm”. (Photo by Marco Gaiotti/2019 GDT European Wildlife Photographer of the Year)

“Born in 1965 at Tokyo, living at Tokyo. Starting shooting since 2008. 2011: 1x Photo Awards Honorable Mention (Street). 2012: Black and White Spider Awards 2nd Place (Portrait), Honorable Mention (Fashion); PX3 Gold Awards (Press); Israel Harvanism Street Contest 1st Place. 2013: Urban Picnic Street Contest Top30 Finalist; PX3 3rd Place (Portrait), Gold (Portrait - Personality), Gold (Press - People/Personality); Photolux + PhotoVogue Photo Contest 1st Place. 2014: Sony World Photography Awards Commended (Smile Category)”. – Tatsuo Suzuki. Photo: “Spring”. (Photo by Tatsuo Suzuki)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

“Asaro from the Eastern Highlands”. The mudmen could not cover their faces with mud because the people of Papua New Guinea thought that the mud from the Asaro river was poisonous. So instead of covering their faces with this alleged poison, they made masks from pebbles that they heated and water from the waterfall, with unusual designs such as long or very short ears either going down to the chin or sticking up at the top, long joined eyebrows attached to the top of the ears, horns and sideways mouths. (Photo and caption by Jimmy Nelson)

“A photo series representing many cultures by illustrating romance in the LGBTQ community. “All Love Is Equal” is a campaign that I envision being seen on a global scale to raise awareness and build compassion. I, along with my producer/assistant, would like to travel to different countries throughout the world to create photos of LGBT members in love within culturally diverse settings”. (Photo and caption by Braden Summers)

Maratus is a spider genus of the Salticidae family (jumping spiders). These spiders are commonly referred to as peacock spiders due to their colorful abdominal flaps that they display during courtship. In at least one species, Maratus vespertilio, the expansion of the flaps also occurs during ritualised contests between males. All described species, except M. furvus, are endemic to Australia. (Photo by Jurgen Otto)