Police cars are seen overturned in the street in the framework of a demonstration against Cuban President Miguel Diaz-Canel in Havana, on July 11, 2021. Thousands of Cubans took part in rare protests Sunday against the communist government, marching through a town chanting “Down with the dictatorship” and “We want liberty”. (Photo by Yamil Lage/AFP Photo)

A model is reflected in a mirror as she applies make up backstage during Kazakhstan Fashion Week in Almaty, Kazakhstan, April 19, 2016. (Photo by Shamil Zhumatov/Reuters)

Photographer holding digital camera during photoshoot of fashion model. (Photo by grinvalds/Getty Images)

A Cuban migrant couple rests inside a tent at a provisional shelter in Paso Conoa, at the border with Costa Rica March 20, 2016. More than 1,500 Cuban immigrants are waiting at Costa Rica's southern border with Panama as they seek overland passage towards the United States, according to local officials. (Photo by Carlos Jasso/Reuters)

“Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some “Boterismo”, which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity”. – Wikipedia

Photo: The Duke and Duchess of Devonshire view “Dancers” by artist Fernando Botero in the gardens of their home Chatsworth House on September 10, 2009, Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

Revellers with their bodies and faces painted attend the "Zombie Walk" parade in Sao Paulo, Brazil, November 2, 2015. (Photo by Paulo Whitaker/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

A model gets ready backstage during a body art festival in Almaty, Kazakhstan, March 23, 2016. (Photo by Shamil Zhumatov/Reuters)