Astronaut Donald R. Pettit would often rig an array of as many as six cameras in the cupola windows and set them all to fire continuously for events such as sunsets, which only last around seven seconds on the ISS. (Photo by Donald R. Pettit)

5-year-old Rina Kumari rubs her eye while cracking stones on the banks of Mahananda river in Siliguri, northeast India, March 5, 2005. Over 400 million people in India live below the internationally agreed poverty line (living on less than US $1 per day). According to estimates, several hundred thousand children work as labourers and beg on the streets in India. (Photo by Desmond Boylan/Reuters)

A child looks out from a bus window after fleeing from Ukraine to Romania, following Russia's invasion of Ukraine, at the border crossing in Siret, Romania, March 13, 2022. (Photo by Clodagh Kilcoyne/Reuters)

A devotee, dressed as Hindu God Shiva, looks out from a window as he waits to perform during the annual Shiva Gajan religious festival on the outskirts of Agartala, India April 13, 2018. (Photo by Jayanta Dey/Reuters)

A woman looks out of the window of a house as saris, traditional clothing worn by women, are hanged out to dry in Lalitpur, Nepal on April 17, 2019. (Photo by Navesh Chitrakar/Reuters)

New Jersey based artist, Joe Iurato creates art using hand-cut paper and spray paint to make small wood cutout figures and placed in public spaces. According to Iurato, “a puddle can become a lake, a small crack in a cement wall can become a magnificent climb, a planter box can become a place for a child to play, and a shadow might be a tangible space for a few seconds a day”. Photo: “Small World”. (Photo by Joe Lurato)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)