A Fulani woman fixes her head scalf on the street of Dapchi, Yobe state, Nigeria on February 27, 2018. (Photo by Afolabi Sotunde/Reuters)

A woman in yukata, casual summer kimono, poses for a photo at Fushimi Inari Taisha in Kyoto, Japan on October 2, 2019. (Photo by Matthew Childs/Reuters)

An indigenous woman holds her child while trying to resist the advance of Amazonas state policemen who were expelling the woman and some 200 other members of the Landless Movement from a privately-owned tract of land on the outskirts of Manaus, in the heart of the Brazilian Amazon, in this March 11, 2008 file photo. (Photo by Luiz Vasconcelos-A Critica/Reuters/AE)

A female is doused with wine as people take part in a wine battle, in the small village of Haro, northern Spain, Friday, June 29, 2018. La Batalla de Vino is held each June in the town of Haro on the feast of St Peter, an event organizers say draws thousands of people. On Friday, participants soaked each other with buckets and toy spray guns, turning their clothes a shade of purple. (Photo by Alvaro Barrientos/AP Photo)

Ialian artist Federico Mauro latest series takes a look at iconic footwear, and its symbolic representation of the people who wore them. With everything from Steve Jobs’ New Balance 991‘s to the Nike Air Mags sported by Marty McFly in Back to the Future II on show, the minimalist series shows how closely one’s identity can be linked to a single shoe.

See also: Famous Eyeglasses By Federico Mauro / Famous Guns By Federico Mauro

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

A woman, wearing a traditional Sevillana dress, performs as she asks for alms in downtown Malaga, Spain, April 28, 2016. (Photo by Jon Nazca/Reuters)

A woman carries her child in a basket as she walks on a road in Allahabad, India, August 11, 2016. (Photo by Jitendra Prakash/Reuters)