Journalists practice social distancing outside a meeting to wrap up work on coronavirus economic aid legislation to prevent the spread of coronavirus disease (COVID-19) in Washington, U.S., March 21, 2020. (Photo by Mary F. Calvert/Reuters)

Pope Francis meets Spider-Man, who presents him with his mask, at the end of his weekly general audience with a limited number of faithful in the San Damaso Courtyard at the Vatican, Wednesday, June 23, 2021. The masked man works with sick children in hospitals. (Photo by Andrew Medichini/AP Photo)

Model Daisy Lowe has been camouflaged into a wall of daisies by world-leading body paint artist Carolyn Roper, to showcase the Samsung QLED TV's Ambient Mode feature in London, United Kingdom on August 2, 2018. The work took eight hours to complete. (Photo by Matt Alexander/PA Wire)

Corey Arnold is a fine art photographer and a commercial fisherman, working the stormy waters of the Bering Sea by Alaska. His latest work documents life in this remote wilderness, both at sea and on the shore, capturing trawlers, foxes, eagles and the grandeur of the scenery. “Aleutian Dreams” can be seen at Charles A Hartman Fine Art in Portland, Oregon, until 27 May. Here: “Roadside Friend”. (Photo by Corey Arnold/Charles A. Harman Fine Art/The Guardian)

A woman is helped out of the wrecked car of a train that derailed at the station of Pioltello Limito, on the outskirts of Milan, Italy, Thursday, January 25, 2018. Italian officials said that the commuter train derailed in northern Italy, killing some people, seriously injuring 10 and trapping others heading into Milan at the start of the work day. (Photo by AP Photo/Stringer)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.