An injured cat receives treatment at a veterinary clinic by volunteer vets after a forest fire that broke out in Manavgat district of Turkeyâs Antalya on July 31, 2021. At least seven people have died in the wildfires raging in Turkey’s Mediterranean towns, the Turkish health ministry confirmed on 01 August 2021. (Photo by Mustafa Ciftci/Anadolu Agency via Getty Images)

US actor Ben Affleck and US actress and singer Jennifer Lopez arrive for the screening of the film “The Last Duel” presented out of competition on September 10, 2021 during the 78th Venice Film Festival at Venice Lido. (Photo by Yara Nardi/Reuters)

Saudi female firearm trainer, Mona Al Khurais, teaches a Saudi boy on safe usage of weapons at the Top-Gun shooting range in Riyadh, Saudi Arabia, October 28, 2021. (Photo by Ahmed Yosri/Reuters)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Lightning strikes the Willis Tower (formerly Sears Tower) in downtown on June 12, 2013 in Chicago, Illinois. (Photo by Scott Olson/Getty Images)

Kim Anderson photography career, now overseen from his home base in a Swiss mountainside village, began the way of many shutter bugs. His early photos focused on fashion and people, as well as photography for advertising agencies.

Where Children Sleep – stories of diverse children around the world, told through portraits and pictures of their bedrooms by James Mollison. This is a selection from the 56 diptychs in the book (Chris Boot November 2010). The book is written and presented for an audience of 9-13 year olds ‘ intended to interest and engage children in the details of the lives of other children around the world, and the social issues affecting them, while also being a serious photographic essay for an adult audience.