Hungarian pilot and European champion Zoltan Veres flies under the oldest Hungarian bridge, the “Lanchid” (Chain Bridge) with his “MXS” type plane on May 1, 2014 during a Red Bull flying and car show around the Danube River of Budapest downtown. (Photo by Attila Kisbenedek/AFP Photo)

Chicago-based illustrator Alex Solis created fat versions of famous pop culture characters in this funny illustration series entitled “Famous Chunkies”.

Albert is not the happiest looking kitty in the world. Even Tard the Grumpy Cat looks more cheerful. Well… maybe not cheerful. But at least Tard doesn’t have a look of menace and a desire to kill in his eyes. What could have caused a kitty to wear such a stern look all the time? It might be the fact that he’s all curly. Almost no one likes to stand out too much, and maybe Albert is no exception. Despite his menacing appearance, Albert’s owner claims that he’s a very polite cat and plays nicely with children. Though it is hard to believe at first glance, we shouldn’t judge a book by its cover, even when we’re looking at a cat.

Luna Portnoi emerging Argentine Artist Luna Portnoi has been developing her practice in Buenos Aires for over five years. Her work is deeply connected to themes of color, nature, astronomy, childhood, magic, ancient civilizations, collaboration and the passions, openness and emotions we experience as children that are often left behind in adulthood. Already well known in Buenos Aires, the Artist has also received international press coverage.

360Cities PRO member Andrew Bodrov has just published another stunning panorama stitched from images taken by the Curiosity Rover on Mars. Photo: “Mars Panorama – Curiosity Rover: Martian Solar Day 177” (Photo by NASA/JPL-Caltech/MSSS/Andrew Bodrov)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.