Passengers travel on the London train and underground system during the Christmas party season, December 18, 2015. (Photo by Paul Hackett/Reuters)

Ukrainians wearing traditional costumes sing Kolyadky or Ukrainian Christmas Carols, as a part of Orthodox Christmas in Kiev, Ukraine, Thursday, January 7 2016. Orthodox Christians mark their traditional Christmas Day Jan. 7, with many ancient symbolic events. (Photo by Sergei Chuzavkov/AP Photo)

Claudionor Jose de Deus, wearing a Santa Claus costume, arrives at Santa Rosa community to distribute presents to children, on the shores of the Amazon River in rural Manaus, Brazil, December 19, 2015. Jose de Deus is part of a volunteer group that distributes toys to children from poor neighborhoods and riverside communities that are distant from the city. (Photo by Bruno Kelly/Reuters)

People walk on the Patriarch's bridge decorated for Christmas and New Year celebrations with the Christ the Savior Cathedral in the background in Moscow, Russia, Monday, December 16, 2019. (Photo by Alexander Zemlianichenko/AP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A woman sits next to a dog during the fifth edition of the “Mi Mascota” (My Pet) fair in Malaga, southern Spain, November 27, 2016. (Photo by Jon Nazca/Reuters)