Bonnie Morgan arrives at the LA Premiere of “Rings” at the Regal LA LIVE Stadium 14 on Thursday, February 2, 2017, in Los Angeles. (Photo by Willy Sanjuan/Invision/AP Photo)

Spanish director Pedro Almodovar and actress Penelope Cruz chat before the start of the Spanish Film Academy's Goya Awards ceremony in Madrid, Spain, February 4, 2017. (Photo by Paul Hanna/Reuters)

Marco Antonio Eguchi of Brazil gets bucked off of Bottoms Up in the first round of the PBR Frontier Communications Iron Cowboy at AT& T Stadium on February 18, 2017 in Arlington, Texas. (Photo by Tom Pennington/Getty Images)

Myanmar revellers take part in celebrations on the fifth and last day marking Thingyan, a water festival which brings in the country's new year, in Yangon on April 16, 2016. The Buddhist festival of water pouring symbolizes spiritual cleansing and begin the new year free from worldly impurities with celebrants devoting the four days of Thingyan in merry making of water dousing until the eve of new year. (Photo by Romeo Gacad/AFP Photo)

A Hindu priest waits to perform prayers next to Tejas, India's first locally-built Light Combat Aircraft (LCA), before its induction into the Indian Air Force at the Hindustan Aeronautics Limited (HAL) Airport in Bengaluru, India, July 1, 2016. (Photo by Abhishek N. Chinnappa/Reuters)

A Palestinian female masked militant from the Al-Quds Brigades, the military wing of the Islamic Jihad, takes part in an Islamic Jihad rally in Rafah, southern Gaza Strip, 29 July 2016. (Photo by Mohammed Saber/EPA)

Villagers look on as Mount Sinabung volcano spews thick volcanic ash, as seen from Beganding village in Karo, North Sumatra province, on May 19, 2017. Sinabung roared back to life in 2010 for the first time in 400 years. After another period of inactivity, it erupted once more in 2013 and has remained highly active since. (Photo by Ivan Damanik/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)