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A woman along with her children carry hay to feed cattle in Sanjar Chang village, Mirpurkhas district in Sindh province on April 9, 2023. (Photo by Asif Hassan/AFP Photo)

A woman along with her children carry hay to feed cattle in Sanjar Chang village, Mirpurkhas district in Sindh province on April 9, 2023. (Photo by Asif Hassan/AFP Photo)
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02 May 2023 03:05:00
Yoshkar-Ola, Matrosova Street (1995). He turned his lens upon Russians – particularly young people – in the newly liberated state. (Photo by Sergey Chilikov)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)
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20 May 2016 13:10:00
Brtukan. “Being a girl of colour in a society where the majority of the people are white, I have had to get used to all the different ways people approach me. From being asked what kind of rap music you listen to and how you wash your hair, to getting told, “you don’t sound black”, “you’re pretty for a black girl” or “you’re not that black so it’s OK”, as if being black is such a bad thing”. (Photo by Lisa Minogue/The Guardian)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)
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17 Aug 2016 11:16:00
Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)
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07 Mar 2017 00:04:00
Live fish. Vietnam has the highest number of motorbikes in all of south-east Asia – Hanoi alone has 5m of them, and only half a million cars. Now the city is planning to ban them by 2030 to cut pollution. (Photo by Jon Enoch/The Guardian)

From footballs to live fish, delivery mopeds piled high with unwieldy, unlikely goods are one of the Vietnamese capital’s most distinctive sights. As the city plans to ban motorbikes altogether, photographer Jon Enoch captured the drivers at work. (Photo by Jon Enoch/The Guardian)

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11 May 2019 00:05:00
“É proibido proibir”. (Photo by Thais Nuzzi)

“É proibido proibir”. (Photo by Thais Nuzzi)
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07 Jun 2015 11:50:00
“The Hero”. (Christophe Kiciak)

“I started photography in June 2009. At the time, I was searching for a way to express both the rigorous scientist and the creative artist in me. There are few hobbies that let these two approaches work together, so I really was enthusiastic about it: I am now spending all my free time studying various techniques, contemplating others' fantastic work, and of course, making pictures”. – Christophe Kiciak. Photo: “The Hero”. (Photo by Christophe Kiciak)
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11 Jan 2013 15:40:00
Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)

Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)
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21 May 2014 11:11:00