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Hindu devotees, their bodies pierced with lemon and paladai, or bowl with a spout mainly used to feed milk to infants, wait to participate in a procession to mark Shivratri, or the night of Shiva, in Chennai, India, Wednesday, February 18, 2015. Such processions are held as an offering and show of devotion by devotees on the day dedicated to the worship of Lord Shiva, the Hindu god of destruction. (Photo by Arun Sankar K./AP Photo)

A Rohingya migrant woman, who arrived in Indonesia by boat, carries a bottle of drinking water inside a temporary compound for refugees in Kuala Cangkoi village in Lhoksukon, Indonesia's Aceh Province May 17, 2015. (Photo by Reuters/Beawiharta)

Kamaz Russian driver Eduard Nikolaev, co- driver Evgeny Yakovlev and mechanic Vladimir Rybakov compete during the 2018 Dakar Rally' s Stage 13 between San Juan and Cordoba in Argentina, on January 19, 2018. (Photo by Franck Fife/AFP Photo)

Britain Horse Racing, Royal Ascot, Ascot Racecourse on June 16, 2016. Ladies Day Racegoers wear hats. (Photo by Toby Melville/Reuters)

Actress/Model Emily Ratajkowski's celebrates her 25th birthday at the private residence of Absolut Elyx CEO Jonas Tahlin on June 10, 2016 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for Absolut Elyx)

Gerald Herbert is a staff photographer for the AP based in New Orleans, Louisiana. Before that he was a staff photographer for the Washington Times, the New York Daily News and a freelancer for the AP in New Orleans, Boston and New York. Photo: A worker grooms away tracks after an alligator crossed through a sand trap on the 14th hole during the first round of the PGA Tour Zurich Classic golf tournament at TPC Louisiana in Avondale, La., Thursday, April 25, 2013. (Photo by Gerald Herbert/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.