A fisherman sorts his net next to the 37-meter-long “KAWS:HOLIDAY Companion” inflatable sculpture in Tsing Yi, Hong Kong, China, 21 March 2019. KAWS:HOLIDAY, made by US artist and designer Brian Donnelly known professionally as Kaws, will be displayed in Hong Kong's Victoria Harbour from 22 to 31 March 2019. (Photo by Jerome Favre/EPA/EFE)

A horse is paraded during the Arabian Horse Festival at the Bait al-Arab in Kuwait City on February 5, 2022. (Photo by Yasser Al-Zayyat/AFP Photo)

A fire dancer makes a heart shape at the Bealtaine fire festival, marking the beginning of summer at the Hill of Uisneach in Rathnew, Ireland, on May 10, 2025. (Photo by Clodagh Kilcoyne/Reuters)

Student protestors, including one girl with a camera, struggle with soldiers from the Chinese Army, the PLA. Tiananmen Square, 1989. (Photo by Jeff Widener/Associated Press)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

Students from CAS Ballet Theatre School stretch on the sidewalk Saturday, February 20, 2016, in Ann Arbor, Mich. (Photo by Junfu Han/The Ann Arbor News via AP Photo)

A tourist's umbrella blows upside down as she covers from the heavy rain and high winds, while she tours the city centre, as storm Konrad hits Spain, Portugal and France, in Ronda, Spain, on March 13, 2025. (Photo by Jon Nazca/Reuters)

The granddaughter of one of the family members cries after the eviction from their home in El Raval neighbourhood, amid the coronavirus disease (COVID-19) pandemic, in Barcelona, Spain, May 12, 2021. (Photo by Nacho Doce/Reuters)