Lucy the Elephant is a six-story elephant-shaped example of novelty architecture, constructed of wood and tin sheeting in 1881 by James V. Lafferty in Margate City, Atlantic County, New Jersey, United States, two miles (3.2 km) south of Atlantic City, in an effort to sell real estate and attract tourists.

A visiter is attracted by the chairs covered with solar panels at the factory of Yingli Green Energy Holding Company, also known as Yingli Solar, on June 20, 2011 in Baoding city of Hebei Province, China. According to a report by the International Energy Agency (IEA), China overtook America as the world' s largest energy consumer in 2010. New energy industries are becoming even more important than in the past. (Photo by Feng Li/Getty Images)

Maria Sharapova of Russia arrives at the 2012 Australian open Players Party at Crown Towers on January 15, 2012 in Melbourne, Australia. (Photo by Robert Prezioso/Getty Images)

International artist Yvette Mattern shows her stunning laser rainbow projection, Global Rainbow, on March 1, 2012 in Whitley Bay, England. The light installation celebrates the London 2012 Cultural Olympiad in the north-east of England. The Global Rainbow has previously lit up the skies of Germany, France and the United States. The projection will shine along the North Tyneside coastline for 4 days, before moving to other locations in the UK. (Photo by Bethany Clarke/Getty Images)

Karolina Kurkova, Alana Zimmer, Valerija Kelava, Eniko Mihalik, Snejana Onopka and Iris Strubegger star in “Hairy Tales” a focus on mostly big hair styled by Luigi Murenu (hair style; Make-up: Karim Rahman) for «Vogue» Germany April 2012. Joanne Blades styles the editorial with Daniele and Iango behind the lens.

Only with a pencil, ruler and protractor, without the help of a computer, Venezuelan artist Rafael Araujo creates complex fields of three dimensional space where butterflies come to life and shells rise from mathematical spirals.

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.