A biker shows his 12-year-old cat “Chiquinho” – which always rides with him on his motorbike – in Rio de Janeiro, Brazil, on June 19, 2016. (Photo by Yasuyoshi Chiba/AFP Photo)

35-year old farmer Rammehar Punia has been named as ‘Rubber Man’. Thanks to his remarkable ability to make his shoulders meet in front of his chest. He has used his flex!bil!ty to smash the Guinness World record for the number of CD’s broken between the shoulders. He broke 60 CDs in just a minute.

An initiate sprays out his fan as he enjoys the view from atop his father's shoulders during the ceremony in Mae Hong Son, Thailand, April 2016. (Photo by Claudio Sieber/Barcroft Images)

America in the 1970s: Texas. Motorcyclist loading his possessions onto a truck with the help of his friends in Leakey, May 1973. (Photo by Marc St. Gil/NARA via The Atlantic)

In this October 29, 2013 photo, Daniel smokes marijuana inside his apartment where he uses a hydroponics system to grow his weed in Mexico City. “I'm not a narco, dude. I just like to smoke”, said Daniel, who spoke on condition that his last name not be used because, he said, his home-grow operation is "super-illegal" despite being for personal use only. (Photo by Eduardo Verdugo/AP Photo)

An elephant in Amboseli National Park in Kenya, June 2021. Gurcharan Roopra, 42, a Nairobi-born engineer-turned-wildlife photographer, has dedicated the past four years of his career to photographing these animals. He spends hours in his workshop camouflaging and encasing his equipment with protective gear before laying his camera in the path of lions, elephants, rhino, zebra and buffalo. (Photo by Gurcharan Roopra/Mercury Press)

The watercolor artist Bjorn Bernstrom is well-known in his native Sweden for his landscape paintings. Yet his style is somewhat different from traditional watercolor methods.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.